By Scott Hurd
“Help! Help! Help!” The repeated cries carried down the hospital corridor as I quickened my pace.
I turned a corner and the yelling stopped. There was my mother lying in a bed, flanked by two nurses failing in their effort to remove her IV line.
Her matted hair was greasy and its receding amber color revealed stark white roots. The nails at the end of her arthritically gnarled fingers were dirty from compulsively picking the scabs on her arms. Her disease had caused her to forget many things, such as the importance of personal hygiene. And that the middle-aged man standing before her – me – was her only child.
She looked at me intently, and for a moment there was a glimmer of recognition. And then it was gone. “Oh look,” she declared triumphantly to the nurses, “This nice man has come to help me!”
I was glad that, at least, she’d identified me as a nice man. But her assessment changed when I agreed to restrain her so the nurses could remove the IV. The cries resumed. “Help! Help!”
The line was finally removed, the nurses left, and I took stock of her room. Opposite her bed was a dry erase board listing her meds, her doctor’s name, and warning that she was a fall risk. One section was designed to humanize patients, so they could be seen as something more than a diagnosis and a treatment plan. “Things you should know about me,” it read. “I play the piano,” was Mom’s answer. Except that she didn’t.
As typical with Alzheimer’s disease, Mom’s short-term memory failed first, but echoes from the distant past lingered. One echo for Mom had something to do with a piano. A gauzy recollection had somehow become her present reality. It bore little relation to whom she’d been. And it showed just how tangled her mind had become.
“The tangles” is what medical professionals casually call Alzheimer’s, as it likely results from threads of proteins becoming twisted and tangled in the brain. The longer they get, the more dangerous they become. Eventually, brain cells start to die. Memories become clouded. Entire chapters of the past can get erased – such as Mom’s love of needlepoint.
That dry erase board should have listed needlepoint, not the piano. Mom was prolific and talented, mastering complex stitches and advanced techniques. Her works were framed and upholstered. They won prizes. They were auctioned off.
I still have her first completed project, with its sun shining upon a tree-shaded house. She made it for me. “Clean up the world tomorrow,” it says. “Today just do your room.”
As her disease progressed and her world shrank, a nearby needlework store was the last place she could go on her own. She went a lot, buying yarn that largely went unused. Her final creation was a belt with nautical signal flags. It had a simple pattern, suitable for beginners. She’d enthusiastically show it to us, but after a while no progress was made. For her, it had become an unattainable aspiration. For us, it was a sad finale to an accomplished past.
When my parents hastily rushed into assisted living, Dad, shaking from Parkinson’s disease, directed the movers to the few things they would take. The unfinished belt came, as did miles of yarn, crammed unceremoniously into a single bottom cabinet drawer, where it sat for over a year. I don’t think it was ever opened.
I was the one to open it, after they’d both died. Years of accumulated materials and remnants of projects from decades past were mashed together into a tangled web, colors clashing in unlikely and unfortunate combinations never intended to be made. Intact balls of untouched yarn mixed with half-disintegrated spools, while wispy, Medusa-like single threads snaked over and around like kudzu entombs a decaying trunk. Any remaining order was concealed by confusion.
Staring for some time, I wondered if I could separate it all, hoping that something might be salvaged. But the tangles were just too great, the effort too futile. It was too late to clean up Mom’s world. I simply shut the drawer.
I hope she’d be happy, if today I just did my room.
Scott Hurd is the author of five books published in four languages, including Forgiveness: A Catholic Approach. His writing has won awards from the Association of Catholic Publishers and the Catholic Media Association, and has been nominated for a Pushcart Prize. Recent essays and reviews have appeared or are forthcoming in Pembroke Magazine, Salvation South, KAIROS Literary Magazine, Streetlight Magazine, and Ohio History. He is married to fellow writer Diane Kraynak, NP.